Business, Entrepreneur, learning environment, Music Lessons, piano lessons, Singing teacher, Uncategorized

A Typical Day in My Studio

People often imagine piano lessons as simply turning up, playing a few pieces, and heading home again. But there’s a lot that happens behind the scenes to make lessons personal, enjoyable, and tailored to each student. Here is what a typical day looks in my studio!

One thing many people don’t realise about music teaching is that it often involves antisocial hours. Most students want lessons after school or work, so evenings tend to be the busiest part of the day. As a morning person, this is honestly one of the most challenging parts of the job for me!

Because of that, I try to plan and prepare as much as possible earlier in the day, so that when lessons begin later on, everything is in place to create a relaxed and successful learning environment.

A typical day: Starting the Day

Most mornings, I’m up around 6:30 before teaching begins. Depending on the time of year, I’ll either head to the gym or spend some time at my allotment before properly starting work. It’s a nice balance to the time I spend indoors!

This was taken last year, but the work is never done!

By around 8:30, I’m back home and getting ready for the day. I like to wear something that reflects my personality while still being comfortable enough to move around easily during lessons — something that’s very important when teaching!

Planning and Preparation

From around 9:30 to 11:30, I’ll usually be planning lessons, replying to emails, and organising the week ahead. At the moment, I’m also preparing for an upcoming performance, so alongside teaching I’ve been finalising advertising and rehearsals too. I’ve recently released some new music as well, so there’s always something creative happening outside the studio.

Around 11:30, I’ll stop for lunch and fit in a few household jobs like laundry or loading the dishwasher. One of the things I appreciate about self-employment is being able to weave some everyday life into the working week.

Depending on the day, I sometimes teach earlier afternoon students or travel to lessons, but this example is what happens in the studio on a typical Tuesday in my studio.

Creative Work and Practice

After lunch, I’ll often spend time researching new teaching ideas, or finding games and activities for younger students. I also keep my lesson database updated so I can track progress and plan future lessons effectively. On top of that, there’s usually blog writing (like this!) and admin to think about too.

And somewhere in amongst all of that, I try — though don’t always succeed — to fit in around 45 minutes of piano practice myself.

By around 3:00pm on a Tuesday, I’ll have a quick snack and a short break before teaching begins for the evening.

An Evening in the Studio

My first student of the day is currently preparing for a piano exam, so we focus on confidence, musicality, and polishing pieces ready for performance day.

After that, I teach a beginner who’s still getting to grips with note reading — but already has excellent taste in music!

On Tuesdays, I usually schedule supper between 5:30pm and 6:30pm because I prefer not to eat too late, and evenings are often the most popular lesson times.

Later on, I teach twins! They have separate lessons, but because they arrive together, we sometimes make the most of having four hands at the piano and play duets together.

After that, I teach an adult student who is working on improving their music reading skills. Together we focus on techniques and exercises that help make reading notation feel more natural and confident over time. It’s incredibly rewarding to see adult learners develop their skills and enjoy the process of learning something new.

Why I Like Teaching Piano

Every student learns differently, which is why I try to make lessons relaxed, encouraging, and tailored to the individual. Some students want to work towards grades and exams, while others simply want to play music they enjoy and build confidence at their own pace.

That’s one of the things that is fun about teaching piano — no two lessons are ever exactly the same.

Whether someone is a complete beginner, returning after a break, or looking to develop their playing further, my main goal is: helping students enjoy music and feel comfortable at the piano.

If you’ve ever thought about trying piano lessons, now is always the best time to start!

Business, Entrepreneur, learning environment, piano lessons, piano performance, piano teacher, Uncategorized

Why Recitals Matter-and How to Keep Them Fun and Low-Stress.

I recently held my annual spring recital for my students, and it was a lovely afternoon! The room was full of supportive families, a few nervous smiles, and so many small moments of bravery at the piano.

At the end, I even performed a piece myself! It was not my best work-a few slips here and there, nothing perfectly polished, as my goal is always to be prepraing my students, not me for the concert! But as you’ll see in this post, that’s not really the goal of a piano student recital in the first place.

Why recitals matter

Recitals give music a purpose beyond practice. When students know they’re preparing for a performance, their pieces begin to take on new life. Phrasing becomes more thoughtful, dynamics more expressive, and suddenly the music isn’t just “notes on a page”- it is music they will share with others.

Recitals build confidence in a way that nothing else in music class can. Sitting at the piano, taking a breath, and beginning-that moment teaches courage. Not the loud, fearless kind, but the quiet kind that grows over time. Each recital plants a seed: I can do this/I did this/I got through this/I enjoyed this! (Take your pick!)

Recitals also create a sense of community. Students hear one another play, parents connect, and everyone gets to celebrate progress together. It reminds us that music isn’t just a solitary journey—it’s something we experience and enjoy together.

Recitals are not for everyone—and that’s completely okay. Some students simply don’t enjoy performing in front of others, and some may have their own reasons for preferring to keep their music private. Every student comes to the piano for different reasons: some love the spotlight, while others find joy in the quiet, personal experience of playing. Because of that, I never believe in forcing a student to perform. Instead, I offer recitals as an opportunity, not an obligation—something they can grow into if and when they feel ready.

To some music teachers, this may seem like extra work- and it is. However, I would strongly recommend creating this opportunity for your students. Going the extra mile helps build their confidence, creativity, and connection to music, while also strengthening your relationship with them, their families and keeping them motivated. Think of it as a fun event for yourself as well (this is why I perform something at the end- performing always keeps me on my toes!) To make the event a little easier, have the concert on a day you already teach students. (I teach Saturdays and held the concert Saturday early evening.)

Before the concert begins!
Snacks ready for celebration after!

Keeping recitals low-stress (and even fun!)

Not every student feels that “magical” feeling right away. Nerves are real—and completely normal. That’s why I believe recitals should feel warm, relaxed, and encouraging from start to finish.

Here are a few ways I keep things cosy and low-pressure:

  • We redefine “perfect.”
    In my studio, a successful performance isn’t about playing every note flawlessly. It’s about sharing your music and continuing even if something goes wrong. Mistakes are part of live music—and learning to move past them is a skill worth celebrating.
  • We keep the atmosphere gentle.
    Think soft lighting, a welcoming space, and friendly faces. I add small touches like simple decorations, and some snacks and certificates afterwards to make the event feel special but not formal.
  • Short and sweet programs.
    Especially for younger students, shorter recitals help keep energy positive and nerves manageable. Everyone gets their moment without feeling overwhelmed. This will also help keep the event more manageable for you.
  • Practice performing ahead of time.
    This year due to illness and renovations I did not prepare students as early as I usually do. I will usually start introducing this from end of January, but this year I prepared everyone within a month. However, whatever your schedule, the week of the concert I do mini “studio performances” during lessons. I will sit away from the piano, and pretend I have come to watch the performance. By the time recital day arrives, it feels familiar rather than frightening.
  • Celebrate every step.
    After each performance, I congratulate my students. I am extremely positive and supportive of my students young and adult. Every student leaves feeling proud.
  • Encourage personality!
    Students choose what they want to perform, talk to other students about the type of music they like at the recital, and can dress in a way that makes them feel confident and comfortable. The more “themselves” they feel, the easier performing becomes. I want my students to get a strong sense of self from developing their music skills. 

A moment that stays with them

Years from now, most students won’t remember every thing you did in class. But, they will remember how it felt to sit at the piano with you, and to perform for others. They’ll remember the butterflies, relatives proudly taking photos, the deep breath, and the applause that followed.

Recitals aren’t about pressure or perfection. They’re about growth, courage, and connection. When we keep them warm and low-stress, they become something students look forward to—not fear.

And that’s when music becomes magic.

(please note: To aid creativity the blog post feature image was made with A.I. This doesn’t reflect my music room!)

Business, Entrepreneur, learning environment, Music Lessons, piano lessons, piano teacher, Review, singing lessons, Uncategorized

Inspiring Lessons Through Smart Planning-and a free resource!

 Whether you teach piano, violin, or voice — a clear curriculum and planning turns lessons into lasting progress.

Teaching music privately gives flexibility — but without a structured approach, that freedom can become overwhelming. I like organisation and planning. A well-crafted curriculum and plan doesn’t restrict creativity, it supports it. With the right planning and curriculum in place, you can stay consistent, adapt to individual students, and track progress with clarity and confidence.

Here are a few practical tips to help you shape your music lessons:


1. Start with a “Why?”

Ask yourself:

  • What is the goal of your teaching? (Exam prep? Creative expression? Life-long musicality?) These goals may be different for depending on your student.
  • What do you value in a musician? What do you think is important for a student to know?

This helps shape your curriculum— and makes sure every lesson builds toward something meaningful.

Be sure to ask your students “Why?” also. At every trial, I ask my students why they want to learn to play piano or sing. 

2. Design Flexible Learning Plans

You don’t need a rigid syllabus. Instead, create learning levels (e.g. Beginner, Early Intermediate, etc.) and have an idea of what students need to know at each level:

  • Core skills (technique, reading, listening)
  • Repertoire (always get your students input in repertoire also)
  • Creative work (improv, composition, etc.)

A note here: You will be teaching all these things to all your students, but you may have students with particular interests/goals. It is very important that you incorporate their goals into your lessons to give them a personal 1 on 1 experience (after all, that is often what students are having private tuition for) . So if you have a student who wants to get better at sight reading, make sure you plan this into their lesson in a way that works for them. The way one student learns to sight read will be different to another.

3. Plan Lessons in “Mini-Arcs”

Think in 3–5 lesson arcs, rather than one-off lessons. Each arc could have a little focus on:

  • A piece or project
  • A specific technique (e.g. legato playing, bow control)
  • A musical concept (e.g. phrasing, dynamics, rhythm)
  • What do I want the student to know or do by the end of this arc? (Ask the student for their input as well.)
  • How will I break that down across lessons?
    You will still need to be covering everything they need to know in the lesson, but there wil be a time in the lesson you can focus on this particular area. 

4. Keep your Lessons and Curriculum Balanced

A well-balanced music lesson usually includes:

  • Warm-up or review (5–10 min)
  • Technique focus (10–15 min)
  • Repertoire (15–20 min)
  • Creative or listening activity (5–10 min)

Mixing modes — playing, listening, creating — keeps energy up and supports different learning styles.

5. Reflect and Adjust Often

After each lesson, jot down:

  • What worked?
  • Challenges?
  • Next step?

Even a 1-minute note helps you spot patterns and adapt. Over time, this turns into a useful resource for planning and curriculum insight.

It is a lot of work being a private music teacher! Planning and preparation of every students lessons does take time. However, if you do stay consistent with goals and planning- not only is beneficial for the student- but beneficial for you as a teacher- you go into each lesson calm and prepared. 

You don’t need a one-size-fits-all curriculum- you need a framework that guides each student’s journey. If you’re a little stuck on how to begin, use this lesson plan document to jot ideas down. I would recommend in time you begin to make more personal plans and layout, but to make a start I hope this will be useful!

With structure and planning, your lessons become more purposeful, and your students feel the difference. 

beginner tutorial, Business, Entrepreneur, learning environment, Music Composition, music performance, music production, synthesizer, Uncategorized

Review: Polyend play + groovebox

I recently got to try the Polyend Play + groovebox by Polyend, and thought I could share some thoughts and review it—especially for those of you who are more of a beginner in music gear like me!

What Is It?

The Polyend Play + is a groovebox—basically a music-making machine that lets you:

  • Load sounds (called samples)
  • Sequence beats and melodies
  • Jam and experiment with music—no computer needed!

Think of it like a beat-making playground. You can try out some ideas and also use to enhance your live performances.

Who It’s For:

  • Producers wanting a hands-on groovebox with solid DAW sync and good sound design options.
  • People comfortable with importing samples and diving into menus.
  • If you want to add layers and beats to your live performances

 What I Liked:

Super fun to use – You can start making beats right away. It comes with hundreds of built-in sounds, and the colourful grid makes it easy to build loops. It has a ‘Fill’ function which is great!
Playful and creative – You don’t need to know music theory. It encourages happy accidents and experimenting.
Looks amazing – The interface is clean, the lights are bright, and it’s just fun to look at and touch.

Polyend Play + groovebox review

Pros and Cons

👎

  • Menu diving for editing—knobs aren’t fully descriptive; deeper edits require interface navigation, so to change reverbs/delays/LFO etc you will need to go a bit deeper into menus and know what you want.
  • Squares everywhere– it helped me to think of bars in classical music, and then tracks in a DAW for each horizontal line of squares- but the layout does take a bit of time to get your head around.
  • User reports of bugs/crashes—I made a drum and bass beat, which another time suddenly glitched out and deleted. Luckily it wasn’t too hard to re create and it didnt do it again, but for some this could be very upsetting! Many fixes are firmware-based; results vary by unit.

👍

  • Impressive sound palette – synth engines sound rich, not thin or digital, and pair well with sample tracks- the control of sound and how much you can play with the sound is very professional.
  • Workflow + Perform mode = Once you have a basic idea of what the buttons do then you can create something very cool very quickly. Step repeater and Fill make jamming truly engaging You can get a loop going in no time at all.
  • DAW integration is smooth thanks to multichannel USB streaming.
  • I also really like it has Synthesizer function! These have so many sounds to choose from.

Ive linked a more technical/ spec heavy review here

Polyend Play+ is a powerful, fun, and creative groovebox with next-level synth engines and very flexible sequencing. Whether you are a studio composer or want to make beats live- if you value sound quality, technology and integration, it’s a compelling choice.

Let me know your thoughts if you’ve tried this or another groovebox! Thanks for reading!

beginner tutorial, Business, learning environment, Music Lessons, piano lessons, piano performance, piano practice, piano teacher, Uncategorized

Why Piano Duets Deserve a Place in your Lesson


Why Teach Piano Duets?

Here’s why piano duets deserve a place in your lesson: There’s something a little magical about four hands on one piano. Piano duets—whether teacher and student or two students together—bring a fresh energy to lessons. They create connection, encourage listening, and add a little extra fun.

While solo playing builds independence, duets foster collaboration. Students must tune in to rhythm, timing, and phrasing—not just their own, but their partner’s too. It’s music-making as conversation.

The Benefits Go Beyond the Notes

  • Boost Listening Skills: Students learn to hear the whole, not just their part.
  • Strengthen Rhythm & Timing: Duets demand precision and ensemble awareness.
  • Build Confidence: Its good for students who feel a little nervous performing- in a sense they are performing because they are working with another person, but its still low stakes because the other person is not “watching” them.
  • Encourage Social Connection: Piano is often a solo instrument—duets add a sense of team and fun.
  • Improve Sight-Reading: Students are more motivated to read ahead because they need to keep up.

👉 Pro Tip: Keep an easy duet book readily accessible in your lesson- it can be great for if the student needs a break from the task at hand, and can be a good confidence boost and refresh!

Try It This Week

Next time your student’s motivation dips or you finish a piece early, pull out a piano duet. Whether it’s a silly beginner tune or a fun jazz piece, you’ll be amazed at how engaged they become, and you’ll see why piano duets deserve a place in your lesson.

🎹 After all, the best part of playing piano isn’t always the notes—sometimes it is who you’re sharing them with.

A fabulous student and I playing Coconut Rumba by Roy Stratford.

Want More Duet Resources?

Check out these ideas for some duet music- I really like Piano time books, so I’ve linked the one I’m using in the video:

Ready to bring duet magic into your piano playing?

Feel free to get in touch if you’re interested in more tips ideas, or beginning your own musical adventure!